Corinthian Dionysus (Pind. fr. 70c Snell–Maehler): Space, Genre, and Intertextuality in Pindar’s Dithyrambic Lyric
Abstract
This article discusses in greater detail the fragmentary dithyramb Pind. fr. 70c Snell–Maehler, preserved in POxy. 1604 (a collection of Pindaric dithyrambs), which most likely represents the third surviving example of Pindar’s poetic production for Corinth, alongside the epinician ode Olympian 13 and the σκόλιον/ ἐγκώμιον fr. 122 Snell–Maehler composed for the Corinthian athlete Xenophon. The analysis aims to offer additional considerations supporting its Corinthian destination and, more importantly, a close examination of the potential intertextual connections between the dithyramb and Olympian 13, already partially suggested in scholarly debate. This lays the groundwork for exploring a threefold connection between Olympian 13, fr. 70c, and fr. 122 Snell–Maehler, opening up the possibility of framing them as a coherent Corinthian lyric ‘triad’.
Published
Issue
Section
License
Authors who publish with this journal agree to the following terms:- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).