Alcman’s <i>Partheneion I</i> Reconsidered

Authors

  • Thomas G. Rosenmeyer

Abstract

That the performers of the song were divided into half-choruses is supported by the analogy of the contests voiced in pastoral poetry, which show common ground with partheneia.

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Published

1966-12-23

Issue

Vol. 7 No. 4 (1966)

Section

Articles

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